Zaporizhzhia

Sixth Settlement (Sotsmisto)

Description

  • The Sixth Settlement, or Sotsmisto, grew alongside DniproHES and Zaporizhzhia’s industrial complex. Its architecture combines 1920s–1930s Constructivism with post-war Stalinist Empire style. The Round House, Lavrov buildings, towers and green courtyards reveal the ambition to create a garden city and a new form of urban life.

The Sixth Settlement, also known as Sotsmisto, is an architectural ensemble near DniproHES. Its residential and public buildings show the transition from Constructivism to monumental post-war architecture within a compact district.

A landmark is the Round House, shaped as an open circle. The Lavrov buildings of 1936 combine flat façades and circular windows with ancient Near Eastern motifs. The outpatient complex includes a clinic, dispensary and pharmacy clad in dark pink Armenian tuff.

Four communal houses designed by Olha Yafa stand along Metalurhiv Avenue. They reflect the idea of collective domestic life: the outer buildings use tuff, while the central ones have white plaster. Post-war landmarks include Kozliner’s seven-storey tower of 1949 and the 47-metre tower on the coke plant’s building, completed in 1951.

The district’s heritage also includes the regional philharmonic building, a monument to industrial Zaporizhzhia and a sculpture of film character Sasha Savchenko, played by Mykola Rybnykov. Green courtyards and public spaces complete this experiment in urban planning.

The Sixth Settlement, also known as Sotsmisto, is an architectural ensemble near DniproHES. Its residential and public buildings show the transition from Constructivism to monumental post-war architecture within a compact district.

A landmark is the Round House, shaped as an open circle. The Lavrov buildings of 1936 combine flat façades and circular windows with ancient Near Eastern motifs. The outpatient complex includes a clinic, dispensary and pharmacy clad in dark pink Armenian tuff.

Four communal houses designed by Olha Yafa stand along Metalurhiv Avenue. They reflect the idea of collective domestic life: the outer buildings use tuff, while the central ones have white plaster. Post-war landmarks include Kozliner’s seven-storey tower of 1949 and the 47-metre tower on the coke plant’s building, completed in 1951.

The district’s heritage also includes the regional philharmonic building, a monument to industrial Zaporizhzhia and a sculpture of film character Sasha Savchenko, played by Mykola Rybnykov. Green courtyards and public spaces complete this experiment in urban planning.

How to get there?

By public transport to the stop "etc. Metallurgists

And also nearby

HISTORY

  • Planning for the experimental garden city began in 1928.
  • The main building phase of 1929–1932 accompanied DniproHES and the metallurgical complex.
  • The district underwent extensive reconstruction after the destruction of the Second World War.

In 1928, an experimental socialist-city project began to take shape near DniproHES, then under construction. The chosen area extended from the dam to Verkhnia Street. Architects Viktor Vesnin, Heorhii Orlov, Mykola Kolli and Vitalii Lavrov contributed to the design.

They envisaged a garden city with comfortable public spaces. Courtyards were planned with playgrounds, stages and fountains. The main construction phase of 1929–1932 developed alongside the hydroelectric station and metallurgical complex.

Early buildings followed Constructivism, with the Round House as a striking example. Classical motifs and monumental post-war buildings later altered the district’s appearance. The Second World War brought near-total destruction; historical accounts cite only six habitable buildings in 1945. Reconstruction created the combination of architectural periods that characterises the district.

In 1928, an experimental socialist-city project began to take shape near DniproHES, then under construction. The chosen area extended from the dam to Verkhnia Street. Architects Viktor Vesnin, Heorhii Orlov, Mykola Kolli and Vitalii Lavrov contributed to the design.

They envisaged a garden city with comfortable public spaces. Courtyards were planned with playgrounds, stages and fountains. The main construction phase of 1929–1932 developed alongside the hydroelectric station and metallurgical complex.

Early buildings followed Constructivism, with the Round House as a striking example. Classical motifs and monumental post-war buildings later altered the district’s appearance. The Second World War brought near-total destruction; historical accounts cite only six habitable buildings in 1945. Reconstruction created the combination of architectural periods that characterises the district.

INTERESTING FACTS

  • The Round House courtyard measures about 150 metres across. Twin buildings frame its approach; their circular façade openings are compared with the decoration of the ancient Roman Tomb of Eurysaces.
  • The claim that the C-shaped building was intended as the first letter of “Stalin” is an urban legend, not a confirmed architectural plan.
  • The courtyard entrances of the Lavrov buildings resemble Assyrian city gates, reflecting the architects’ interest in the ancient Near East.
  • The Round House courtyard measures about 150 metres across. Twin buildings frame its approach; their circular façade openings are compared with the decoration of the ancient Roman Tomb of Eurysaces.
  • The claim that the C-shaped building was intended as the first letter of “Stalin” is an urban legend, not a confirmed architectural plan.
  • The courtyard entrances of the Lavrov buildings resemble Assyrian city gates, reflecting the architects’ interest in the ancient Near East.